‘Lost in Space’ Reboot Ordered to Series by Netflix

Netflix has given a 10-episode series order to “Lost in Space,” a reboot of the classic science-fiction television show.

The new series will be produced by Legendary Television. Matt Sazama and Burk Sharpless, the screenwriting team behind the films “Dracula Untold” and “Last Witch Hunter,” will write the new series, with “Prison Break” veteran Zack Estrin set to serve as showrunner. The three will executive produce alongside Synthesis Entertainment’s Kevin Burns and Jon Jashni , Applebox’s Neil Marshall and Marc Helwig. Marshall is also set to direct several episodes of the show. The series is set to premiere in 2018.

“The original series so deftly captured both drama and comedy, and that made it very appealing to a broad audience,” said Cindy Holland, Netflix vice president of original content. “The current creative team’s reimagining of the series for Netflix is sure to appeal to both fans who fondly remember the original and to create a new generation of enthusiasts around the world.”

Created by Irwin Allen, the original “Lost in Space” aired for three seasons, from 1965 to 1968 on CBS. The series told the story of the Robinson family, explorers stranded in space far from their home. The original also spawned a 1998 feature film starring William Hurt, Gary Oldman, Matt LeBlanc, Heather Graham and Mimi Rogers.

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2 thoughts on “‘Lost in Space’ Reboot Ordered to Series by Netflix

  1. K. Alan McDougall

    Will Dr. Smith be in this version? Will the mystery of “Aeolus 14 Umbra” be explained? (I have two conflicting theories about Smith…one that he was delusional when he tried to sabotage the Jupiter 2, and that he had something of a breakdown after the Jupiter’s first crash-landing turning him into the scheming nincompoop we knew and loved. Theory 2 is that he was a CIA-type agent assigned to infiltrate the Aeolus 14 Umbra organization but was unprepared for their being aliens and for their means of “training” him for his mission, leading him to deteriorate into an almost cartoonish version of his old personality) Will the Robot’s evolution from a “mere machine” into a Data-like “person” still be depicted?

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